TIMING MEMO LAST UPDATED: 2023-04-23 Beat numbers and measure numbers are both zero-indexed. (The third beat of a measure is "beat 2".) Measure start times are rounded to the nearest millisecond. Sub-measure BPM changes don't have associated millisecond timings. Sorry, I got tired... Some collaborations don't have data, since I didn't prepare the final audio. BPMs and time signatures are as in the original project files, only ignoring some inconsequential last-measure time-signature changes. A halved or doubled time or reshuffled measures might be more appropriate; remember, counting time is an interpretation, not a fact! Some songs are noted to have the BPM linearly interpolate between values, updating every 1152nd note. (Note that this interpolation is linear by /beat/, not by time. For example. in the 3-measure 170~177.5 interpolation in 偽物, at one measure in, /not/ one third of the time in, the BPM is at 172.5.) Some of these are strangely broken due to Renoise quirks, with their end point at each measure actually being a 96th note early before automation starts again on the next measure. I'm sorry about those...this is one reason why I barely ever do non-stepped BPM changes anymore. I may have gotten some of these wrong while mass-transcribing, especially in the time signatures - if you notice something, I'd greatly appreciate if you could let me know! --- # --- / TIME SIGNATURES 000 (0:00.000): 4/4 032 (1:09.189): 15/16 033 (1:11.216): 7/8 049 (1:41.487): 13/16 087 (2:48.243): 7/8 091 (2:55.811): 15/16 095 (3:03.919): 7/8 111 (3:34.189): 4/4 BPMS 000 (0:00.000): 111 0xe0e1ccull TIME SIGNATURES 000 (0:00.000): 3/4 001 (0:00.833): 4/4 BPMS 000 (0:00.000): 216 072 (1:20.000): 198 097 (1:50.303): 216 19ZZ TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 84 24eeev0-$ TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 100 009 (0:21.600): 108 * increment: 8 013 (0:30.489): 116 017 (0:38.765): 124 021 (0:46.507): 132 025 (0:53.779): 140 029 (1:00.637): 148 033 (1:07.123): 159 * increment: 11 037 (1:13.161): 170 041 (1:18.808): 181 045 (1:24.112): 192 049 (1:29.112): 203 053 (1:33.841): 214 057 (1:38.327): 228 * increment: 14 061 (1:42.537): 242 065 (1:46.504): 256 069 (1:50.254): 270 073 (1:53.810): 284 077 (1:57.190): 298 081 (2:00.412): 315 * increment: 17 085 (2:03.459): 332 089 (2:06.351): 349 093 (2:09.101): 366 097 (2:11.724): 383 101 (2:14.231): 400 117 (2:23.831): 100 8ighttp/s TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 120 Absolute Zero TIME SIGNATURES 000 (0:00.000): 4/4 004 (0:12.000): 7/8 008 (0:22.500): 4/4 012 (0:34.500): 7/8 016 (0:45.000): 4/4 020 (0:57.000): 7/8 ... keep alternating 4/4 and 7/8 every 4 measures for the rest of the song BPMS 000 (0:00.000): 80 Aegleseeker TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 234 Aegleseeker (“Afterworld” Full Version) TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 234 Aegleseeker, over the horizon TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 234 aerostorm TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 333 Angel Echo -L'appel du vide- TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 180 antonym TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 89 beepbit ⁂ futures TIME SIGNATURES 000 (0:00.000): 4/4 091 (1:27.360): 3/4 107 (1:38.880): 6/4 121 (1:59.040): 4/4 202 (3:16.800): 2/4 203 (3:17.280): 4/4 BPMS 000 (0:00.000): 250 Bottom of the Self TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 120 caprice for if TIME SIGNATURES 000 (0:00.000): 7/4 020 (0:56.000): 5/8 021 (0:57.000): 7/4 041 (1:53.000): 3/8 042 (1:53.600): 7/4 058 (2:38.400): 6/4 059 (2:40.800): 7/4 068 (3:06.000): 9/4 069 (3:09.600): 7/4 BPMS 000 (0:00.000): 150 099 (4:33.600): 150 at beat 0 == INTERPOLATES LINEARLY TO == 140 at beat 6.958333... 100 (4:36.498): 140 at beat 0 == INTERPOLATES LINEARLY TO == 120 at beat 6.958333... 101 (4:39.735): 120 chmod 166 heart TIME SIGNATURES 000 (0:00.000): 4/4 177 (3:41.250): 7/4 178 (3:43.438): 4/4 BPMS 000 (0:00.000): 192 COOL_EXCEPTION TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 111 at beat 0, 121 at beat 2 001 (0:02.073): 131 at beat 0, 141 at beat 2 002 (0:03.840): 151 at beat 0, 161 at beat 2 003 (0:05.380): 171 at beat 0, 181 at beat 2 004 (0:05.744): 191 Credits TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 179 Credits EX TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 179 172 (3:50.615): 358 176 (3:53.296): 179 daylight diary TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 194 Deletion Lake TIME SIGNATURES 000 (0:00.000): 7/8 BPMS 000 (0:00.000): 44 dimensionalize nervous breakdown TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 132 044 (1:20.000): 176 051 (1:29.545): 132 dimensionalize nervous breakdown (rev.flat) TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 132 Dispore Deplore Create Samekh TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 92 Doll and Difference TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 77 Don't Save TIME SIGNATURES 000 (0:00.000): 4/4 024 (0:43.636): 2/4 025 (0:44.545): 4/4 049 (1:28.182): 2/4 050 (1:29.091): 4/4 BPMS 000 (0:00.000): 132 Dreaming Command TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 110 drink-colored eight star TIME SIGNATURES 000 (0:00.000): 4/4 042 (1:54.545): 7/4 043 (1:59.318): 4/4 BPMS 000 (0:00.000): 88 drnfctn TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 132 dropdead TIME SIGNATURES 000 (0:00.000): 1/4 001 (0:01.200): 15/16 BPMS 000 (0:00.000): 50 END OF SYSTEM TIME SIGNATURES 000 (0:00.000): 7/4 BPMS 000 (0:00.000): 360 endleSSStation (Frums 終電 Bootleg) TIME SIGNATURES 000 (0:00.000): 1/4 001 (0:00.458): 4/4 002 (0:02.290): 7/8 003 (0:03.893): 4/4 004 (0:05.725): 7/8 ... keep alternating 4/4 and 7/8 ... 023 (0:38.244): 4/4 024 (0:40.076): 7/8 025 (0:41.679): 1/4 027 (0:42.595): 4/4 028 (0:44.427): 7/8 ... keep alternating 4/4 and 7/8 ... 033 (0:52.901): 4/4 034 (0:54.733): 7/8 035 (0:56.336): 1/8 036 (0:56.565): 4/4 037 (0:58.397): 7/8 ... keep alternating 4/4 and 7/8 ... 040 (1:03.435): 4/4 041 (1:05.267): 7/8 042 (1:06.870): 4/4 043 (1:08.702): 9/8 044 (1:10.763): 4/4 045 (1:12.595): 7/8 ... keep alternating 4/4 and 7/8 ... 056 (1:31.374): 4/4 057 (1:33.206): 7/8 058 (1:34.809): 4/4 061 (1:40.305): 7/8 062 (1:41.908): 1/8 063 (1:42.137): 4/4 064 (1:43.969): 7/8 065 (1:45.573): 1/8 066 (1:45.802): 4/4 067 (1:47.634): 7/8 068 (1:49.237): 1/8 069 (1:49.466): 4/4 070 (1:51.298): 8/4 071 (1:54.962): 1/4 073 (1:55.878): 4/4 BPMS 000 (0:00.000): 131 exec.grid TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 120 F>B>D (Frums>Beat>Dissociation Remix) TIME SIGNATURES 000 (0:00.000): 4/4 086 (0:00.000): 6/4 087 (0:00.000): 4/4 BPMS 000 (0:00.000): 275 Flashbacklog TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 130 from the haze of our ragged hypoxias TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 92 Gender and a Metal Bat TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 167 get bussy TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 260 Give Everything TIME SIGNATURES 000 (0:00.000): 4/4 144 (4:45.392): 6/4 145 (4:47.756): 2/4 146 (4:48.450): 13/4 161 (5:56.080): 15/4 162 (6:01.282): 13/4 163 (6:06.976): 17/4 164 (6:14.421): 13/4 BPMS 000 (0:00.000): 137 096 (2:48.175): 137 at beat 0 == INTERPOLATES LINEARLY TO == 127 at beat 2 == INTERPOLATES LINEARLY TO == 137 at beat 3.75 098 (2:51.742): 137 at beat 0 == INTERPOLATES LINEARLY TO == 147 at beat 3 == INTERPOLATES LINEARLY TO == 137 at beat 3.75 100 (2:55.188): 137 at beat 0 == INTERPOLATES LINEARLY TO == 75 at beat 2 == INTERPOLATES LINEARLY TO == 199 at beat 2.25 == INTERPOLATES LINEARLY TO == 40 at beat 2.75 == INTERPOLATES LINEARLY TO == 137 at beat 3.75 102 (2:59.401): 137 at beat 0 == INTERPOLATES LINEARLY TO == 157 at beat 3.8333... == INTERPOLATES LINEARLY TO == 167 at beat 3.91666... 103 (3:01.030): 167 at beat 0 == INTERPOLATES LINEARLY TO == 137 at beat 1 104 (3:02.739): 140 at beat 0, 240 at beat 2 105 (3:04.096): 137 106 (3:05.848): 137 == INTERPOLATES LINEARLY TO == 255 at beat 3.91666... 109 (3:08.991): 255 == INTERPOLATES LINEARLY TO == 100 at beat 3.75 110 (3:10.492): 100 at beat 0, 120 at beat 2, 100 at beat 3 113 (3:17.592): 100 == INTERPOLATES LINEARLY TO == 174 at beat 4 / end of measure 114 (3:19.394): 174 == INTERPOLATES LINEARLY TO == 137 at beat 3.958333... 115 (3:20.945): 137 == INTERPOLATES LINEARLY TO == 68.5 at beat 3.958333... 117 (3:26.879): 137 119 (3:30.383): 68.5 120 (3:33.887): 137 122 (3:37.390): 68.5 123 (3:40.894): 137 125 (3:44.398): 68.5 126 (3:47.901): 137 127 (3:49.653): 137 == INTERPOLATES LINEARLY TO == 68.5 at beat 3.958333... 137 (4:23.616): 68.5 == INTERPOLATES LINEARLY TO == 71.071 at beat 3.958333... * this section is busted. it's basically a linear interpolation from 68.5 to 86.5 over 7 measures. 138 (4:27.056): 71.071 == INTERPOLATES LINEARLY TO == 73.643 at beat 3.958333... 139 (4:30.373): 73.643 == INTERPOLATES LINEARLY TO == 76.214 at beat 3.958333... 140 (4:33.577): 76.214 == INTERPOLATES LINEARLY TO == 78.786 at beat 3.958333... 141 (4:36.674): 78.786 == INTERPOLATES LINEARLY TO == 81.357 at beat 3.958333... 142 (4:39.671): 81.357 == INTERPOLATES LINEARLY TO == 83.929 at beat 3.958333... 143 (4:42.576): 83.929 == INTERPOLATES LINEARLY TO == 86.5 at beat 3.958333... 144 (4:45.392): 86.5 == INTERPOLATES IN SOME EASED CURVE TO == 865 at beat 4 / end of measure * sorry, I can't help you here. the easing value in the project file is "0.25", and I don't know what that means 145 (4:47.756): 173 162 (6:01.282): 137 gone_in_the_morning TIME SIGNATURES 000 (0:00.000): 5/4 002 (0:03.947): 4/4 BPMS 000 (0:00.000): 152 goTe TIME SIGNATURES 000 (0:00.000): 10/4 014 (0:42.211): 1/4 015 (0:42.513): 10/4 BPMS 000 (0:00.000): 199 * all multiples of 9 plus 1 019 (0:54.573): 253 028 (1:15.917): Starting at 253, decreases by 9 BPM each 8th note; 253 -> 244 -> 235 -> 226 -> ... -> 109 -> 100 -> 91 -> 82 -> 029 (1:19.918): 73 031 (1:36.356): 217 035 (1:47.416): 163 on beat 8, 136 on beat 8.5, 82 on beat 9, 37 on beat 9.5 036 (1:51.209): 226 037 (1:53.864): 235 038 (1:56.417): 244 039 (1:18.876): 253 goTe EX TIME SIGNATURES 000 (0:00.000): 10/4 014 (0:42.211): 1/4 015 (0:42.513): 10/4 040 (2:01.248): 8/4 041 (2:03.145): 10/4 047 (2:24.278): 5/4 048 (2:25.109): 8/4 094 (3:55.197): 9/8 095 (4:02.494): 1/4 096 (4:03.226): 4/4 BPMS 000 (0:00.000): 199 * still all multiples of 9 plus 1 019 (0:54.573): 253 028 (1:15.917): Starting at 253, decreases by 9 BPM each 8th note; 253 -> 244 -> 235 -> 226 -> ... -> 109 -> 100 -> 91 -> 82 -> 029 (1:19.918): 73 031 (1:36.356): 217 035 (1:47.416): 163 on beat 8, 136 on beat 8.5, 82 on beat 9, 37 on beat 9.5 036 (1:51.209): 226 037 (1:53.864): 235 038 (1:56.417): 244 039 (1:18.876): 253 041 (2:03.145): BPM at each beat: 244, 235, 244, 235, 244, 235, 244, 235, 253, 253; continue this pattern until... 045 (2:13.062): 37 at beat 0, then start increasing 9 BPM every 8th note starting at 37 at beat 2, 46 at beat 2.5, 55 at beat 3...continuing until 047 (2:24.278): 361 048 (2:25.109): 199 057 (2:46.818): 190 at beat 0, 181 at beat 1, 172 at beat 2, 163 at beat 3 067 (3:16.049): 199 068 (3:18.461): 505 093 (3:42.224): 37 095 (4:02.494): 82 Great Fury of Heaven TIME SIGNATURES 000 (0:00.000): 5/4 112 (2:03.585): 9/4 113 (2:05.141): 5/4 BPMS 000 (0:00.000): 187 028 (0:44.920): 315 096 (1:49.682): 347 at beat 4 113 (2:05.141): 155 grode(decoherence) TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 210 gur yvsr(仮) TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 160 gymnopédie no. 1 TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 81 HALL TIME SIGNATURES 000 (0:00.000): 4/4 016 (0:17.884): 7/8 017 (0:18.759) ~ 048 (32 measures): repeat 4/4 -> 3/4 -> 4/4 -> 7/8 -> 4/4 -> 5/8 -> 4/4 -> 4/4, 4 times 049 (0:47.759): 5/4 093 (1:58.592): 9/8 097 (2:04.592): 7/8 100 (2:07.894): 11/8 101 (2:09.488): 13/8 102 (2:11.270): 7/8 170 (3:15.020): 6/4 240 (5:07.235): 8/4 247 (5:17.735): 9/4 248 (5:19.422): 8/4 BPMS 000 (0:00.000): 210 008 (0:09.143): 215 012 (0:13.608): 220 014 (0:15.790): 225 015 (0:16.856): 230 at beat 0, 235 at beat 2, 240 at beat 3 055 (0:55.259): 180 097 (2:04.592): Increase 1 BPM every 8th note (181 BPM at 097:0, 182 BPM at 097:0.5, etc.), until stopping at... 101 (2:09.488): 224 at beat 4.5 170 (3:15.020): 246 234 (4:48.679): Decrease 1 BPM every 24th note not including the start (246 BPM at 234:0, 245 BPM at 234:0.1666..., etc.), until stopping at 239 (5:01.780): 66 240 (5:07.235): 320 halved halved halved TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 170 Heat Capacity TIME SIGNATURES 000 (0:00.000): 9/4 BPMS 000 (0:00.000): 120 higher symbols TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 81 highway hypnagogia TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 120 I Can't Even Remember My Own Name TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 100 In Their Arms TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 70 049 (2:48.000): 67 at beat 2 Infinityyyy TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 86 125 (5:48.837): 82.41666... * the actual project is decreasing the lines-per-beat - this would be worse to describe with time signatures, I think. 126 (5:51.749): 78.8333... * suffice to say the delays all continue to run at 86 BPM while the notes slow down. 127 (5:54.794): 75.25 at beat 0, 71.666... at beat 2 128 (5:58.063): 68.08333... at beat 0, 64.5 at beat 1, 60.91666... at beat 2, 57.333... at beat 3 129 (6:01.906): 53.75 isla TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 172 Jam with Pancake TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 256 172 (2:00.938): 252 173 (2:01.652): 248 174 (2:02.378): 244 175 (2:03.115): 240 176 (2:03.865): 232 177 (2:04.641): 224 178 (2:05.445): 208 179 (2:06.310): 192 180 (2:07.248): 168 183 (2:10.462): 265 188 (2:13.858): 270 190 (2:15.191): 275 192 (2:16.501): 280 194 (2:17.786): 285 196 (2:19.049): 295 198 (2:20.270): 305 200 (2:21.450): 315 202 (2:22.593): 325 204 (2:23.701): 234.5 KIRBY-CHAN'D CANYON IS DEAD TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 160 Kneading TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 208 lark is recording the dot TIME SIGNATURES 000 (0:00.000): 16/4 008 (1:09.818): 2/4 009 (1:10.909): 16/4 BPMS 000 (0:00.000): 110 Leafing Around TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 174 Let's English Lesson -第1章- TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 160 Living Will TIME SIGNATURES 000 (0:00.000): 4/4 015 (0:23.377): 1/4 016 (0:23.766): 5/8 044 (0:51.039): 1/4 045 (0:51.429): 5/8 082 (1:27.468): 3/4 083 (1:28.753): 5/8 BPMS 000 (0:00.000): 154 082 (1:27.468): 134 at beat 1 092 (1:38.827): 124 at beat 1, 114 at beat 2 093 (1:40.022): 104 at beat 0.5, 94 at beat 1.5 094 (1:41.526): 134 105 (1:53.839): 154 106 (1:54.813): 174 107 (1:55.675): 194 108 (1:56.449): 214 109 (1:57.149): 228 110 (1:57.807): 114 lost in new blankness TIME SIGNATURES 000 (0:00.000): 3/4 BPMS 000 (0:00.000): 86 074 (2:34.884): 86 | == INTERPOLATES LINEARLY TO == 075 (2:37.471): 55 106 (4:18.926): 55 | == INTERPOLATES LINEARLY TO == 107 (4:22.761): 39.5 LΣ6!%N TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 216 Mdrqnxtagon TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 484 * 22^2 071 (0:35.207): 968 * 22^2*2 072 (0:35.455): 506.25 * 22.5^2 079 (0:38.773): 337.5 * 22.5^2*.75 080 (0:39.484): 506.25 * 22.5^2 087 (0:42.803): 759.375 * 22.5^2*1.5 088 (0:43.119): 529 * 23^2 112 (0:54.007): 552.25 * 23.5^2 139 (1:05.741): 90.25 * 9.5^2 140 (1:08.400): 576 * 24^2 152 (1:13.400): 441, 600.25 at beat 2 * 21^2, 24.5^2 224 (1:42.261): 625 * 25^2 memoryfactory.lzh TIME SIGNATURES 000 (0:00.000): 4/4 002 (0:04.800): 3/4 018 (0:33.600): 4/4 019 (0:36.000): 3/4 051 (1:33.600): 7/8 052 (1:35.700): 3/4 068 (2:04.500): 4/4 BPMS 000 (0:00.000): 100 multi_arm TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 110 012 (0:26.182): 220 My Capacitance TIME SIGNATURES 000 (0:00.000): 4/4 100 (2:15.142): 2/4 BPMS 000 (0:00.000): 177 096 (2:10.170): Increase 1 BPM every 4th note (178 BPM at 096:0, 179 BPM at 096:1, etc.), until stopping at... 100 (2:15.142): 210 NEERWUISSALEARNTD TIME SIGNATURES 000 (0:00.000): 9/8 021 (0:25.000): 13/8 022 (0:26.720): 9/8 037 (0:44.577): 11/8 038 (0:46.032): 9/8 081 (1:37.222): 15/8 082 (1:39.206): 9/8 084 (1:41.587): 4/4 101 (1:59.577): 3/4 102 (2:00.370): 4/4 103 (2:01.429): 3/4 ... keep alternating 4/4 and 3/4 ... 116 (2:13.333): 4/4 117 (2:14.392): 3/4 118 (2:15.185): 4/4 119 (2:16.243): 3/4 135 (2:28.942): 7/8 BPMS 000 (0:00.000): 226.8 Nine Fingers TIME SIGNATURES 000 (0:00.000): 9/8 028 (0:52.500): 3/8 029 (0:53.125): 9/8 129 (4:00.625): 3/8 130 (4:01.250): 9/8 BPMS 000 (0:00.000): 144 Nonstopwatch TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 163 Obelian Secrets TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 83 of Ambrosia TIME SIGNATURES 000 (0:00.000): 5/4 008 (0:10.619): 4/4 028 (0:31.858): 5/4 030 (0:34.513): 4/4 057 (1:03.186): 7/8 058 (1:04.115): 3/4 059 (1:04.912): 4/4 060 (1:06.088): 5/8 061 (1:07.029): 4/4 064 (1:10.215): 7/8 098 (1:57.071): 5/4 118 (2:31.162): 4/4 220 (4:22.064): 3/4 221 (4:22.770): 4/4 224 (4:25.593): 3/4 225 (4:26.299): 4/4 226 (4:27.240): 3/4 227 (4:27.946): 4/4 228 (4:28.887): 3/4 229 (4:29.593): 4/4 232 (4:32.417): 3/4 233 (4:33.123): 4/4 236 (4:35.005): 3/4 ... continue alternating 3 measures of 4/4 and 1 measure of 3/4 ... 269 (5:04.544): 4/4 272 (5:07.071): 3/4 273 (5:07.689): 4/4 276 (5:10.114): 3/4 277 (5:10.708): 4/4 280 (5:15.096): 5/4 BPMS 000 (0:00.000): 226 059 (1:04.912): 226 at beat 0, 220 at beat 0.5, 214 at beat 1, 208 at beat 1.5, 202 at beat 2, 196 at beat 2.5, 190 at beat 3, 184 at beat 3.5 060 (1:06.088): 178 at beat 0, 172 at beat 0.333..., 166 at beat 0.666..., 160 at beat 1, 154 at beat 1.333..., 148 at beat 1.666.. 061 (1:07.029): 226 064 (1:10.215): 113 065 (1:12.074) onward: 113 at beat 0, 114 at beat 1, 115 at beat 2...increasing by one every quarter note (seven times every two measures), continuing up to... 081 (1:36.312): 169 090 (1:47.496): 169 at beat 0, 170 at beat 1, 171 at beat 1.375, 172 at beat 1.75, 173 at beat 2.125, 174 at beat 2.5, 175 at beat 2.875, 176 at beat 3.25 118 (2:31.162): 191 120 (2:33.675): 202 122 (2:36.051): 209 124 (2:38.348): 212 194 (3:57.593): 255 261 (4:57.829): 258 262 (4:58.759): 261 263 (4:59.678): 264 ... continue increasing by 3 BPM per measure ... 274 (5:08.506): 297 275 (5:09.314): 300 276 (5:10.114): 303 277 (5:10.708): 212 279 (5:12.972): 113 280 (5:15.096): 311 olin en pakala TIME SIGNATURES 000 (0:00.000): 4/4 033 (1:25.161): 5/4 034 (1:28.387): 1/4 035 (1:29.032): 4/4 068 (2:54.194): 7/4 069 (2:58.710): 4/4 077 (3:19.355): 1/4 078 (3:20.000): 4/4 BPMS 000 (0:00.000): 93 one of none TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 120 Options TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 87 Options EX TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 87 123 (5:39.310): 174 155 (6:23.448): 87 Orthoplexed TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 200 overdead. TIME SIGNATURES 000 (0:00.000): 17/4 BPMS 000 (0:00.000): 500 * there was actually a lot of BPM nonsense at the bass -> kick roll transition at measure 55, but it was timed to match this BPM/measure length. thanks, nitro! parvorbital TIME SIGNATURES 000 (0:00.000): 4/4 034 (0:41.421): 5/4 052 (1:21.290): 7/8 077 (1:53.263): 9/8 092 (2:31.289): 17/16 BPMS 000 (0:00.000): 197 035 (0:42.944): 133 052 (1:21.290): 141 at beat 0.75, 149 at beat 1.5, 157 at beat 2.25, 165 at beat 3 079 (1:56.536): 101 092 (2:31.289): 229 Pictured as Perfect TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 95 Pictured as Perfect and Plus TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 95 Polaris TIME SIGNATURES 000 (0:00.000): 4/4 001 (0:03.750): 3/4 002 (0:06.563): 4/4 003 (0:10.313): 3/4 ... keep alternating 4/4 and 3/4 ... 030 (1:38.438): 4/4 031 (1:42.188): 3/4 032 (1:45.000): 2/4 033 (1:46.875): 4/4 034 (1:50.625): 3/4 ... keep alternating 4/4 and 3/4 ... 063 (3:25.313): 4/4 064 (3:29.063): 3/4 065 (3:31.875): 2/4 066 (3:33.750): 4/4 067 (3:37.500): 3/4 ... keep alternating 4/4 and 3/4 for the rest of the song BPMS 000 (0:00.000): 64 Q.E. TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 167 Quantum Distress Signal TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 285 Red and Blue and Green TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 160 Resisting Our Natural Impulses TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 126 Restoration Lake TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 90 Rosebud Ravine TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 95 Salmiakki TIME SIGNATURES 000 (0:00.000): 4/4 028 (0:37.333): 3/4 029 (0:38.333): 4/4 157 (3:29.000): 3/4 158 (3:30.000): 2/4 159 (3:30.667): 4/4 BPMS 000 (0:00.000): 180 Sapphire Chamber (Frums Re-Enclosure) TIME SIGNATURES 000 (0:00.000): 4/4 095 (4:13.333): 5/4 096 (4:16.666): 4/4 BPMS 000 (0:00.000): 90 Seven Circles TIME SIGNATURES 000 (0:00.000): 2/4 001 (0:01.519): 4/4 016 (0:47.089): 3/4 017 (0:49.367): 1/4 018 (0:50.127): 4/4 033 (1:35.696): 3/4 034 (1:37.975): 1/4 035 (1:38.581): 4/4 043 (1:57.975): 1/4 044 (1:58.581): 2/4 BPMS 000 (0:00.000): 79 034 (1:37.975): 99 044 (1:58.581): 79 sing sing red indigo TIME SIGNATURES 000 (0:00.000): 4/4 009 (0:18.947): 2/4 010 (0:20.000): 3/4 026 (0:45.263): 2/4 027 (0:46.316): 4/4 043 (1:20.000): 5/4 049 (1:35.789): 6/4 050 (1:38.947): 1/4 051 (1:39.474): 7/4 052 (1:43.158): 1/4 053 (1:43.684): 4/4 BPMS 000 (0:00.000): 114 053 (1:43.684): 111 055 (1:48.009): 105 057 (1:52.580): 96 059 (1:57.580): 84 061 (2:03.294): 69 sleepwalk station TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 120 Snow White (frums.delta) TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 75 Stochatstic TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 255 swallow SMOKE TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 234.375 synonym TIME SIGNATURES 000 (0:00.000): 4/4 080 (2:40.000): 3/4 BPMS 000 (0:00.000): 120 The 00 TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 154 The Divine Comedy TIME SIGNATURES 000 (0:00.000): 3/4 033 (0:42.429): 4/4 095 (3:27.060): 7/8 111 (3:45.726): 3/4 112 (3:46.726): 7/8 144 (4:24.060): 3/4 145 (4:25.060): 7/8 BPMS 000 (0:00.000): 140 034 (0:44.143): 100 067 (2:03.343): 90 at beat 4 068 (2:05.810): 80 094 (3:23.810): 60 at beat 4 095 (3:27.060): 180 the end of this world, and the girl who crossed the moon's oceans. TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 95 THERMOMETER TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 192.777 theyaremanycolors TIME SIGNATURES 000 (0:00.000): 4/4 080 (1:20.167): 3/4 128 (2:07.484): 7/8 BPMS 000 (0:00.000): 240 039 (0:39.500): 180 at beat 2 040 (0:40.167): 240 080 (1:20.167): 180 120 (2:00.167): 184 121 (2:01.145): 188 122 (2:02.102): 192 123 (2:03.040): 196 124 (2:03.958): 200 125 (2:04.858): 203 126 (2:05.745): 206 127 (2:06.619): 208 128 (2:07.484): 210 Thinker Walker Dreamer Scatter TIME SIGNATURES 000 (0:00.000): 4/4 033 (1:39.935): 5/4 036 (1:42.857): 6/4 037 (1:44.026): 5/4 040 (1:46.948): 6/4 ... continue to alternate 5/4 for 3 measures and 6/4 for 1 measure... 053 (2:00.390): 5/4 056 (2:03.312): 6/4 057 (2:04.481): 4/4 159 (4:07.595): 3/4 BPMS 000 (0:00.000): 77 32 (1:39.156): 308 141 (3:09.935): 77 156 (3:56.688): 70 157 (4:00.117): 63 at beat 0, 56 at beat 1, 38.5 at beat 2, 77 at beat 3 159 (4:07.595): 231 223 (4:57.465): 264 233 (5:04.284): 275 241 (5:09.520): 286 245 (5:12.037): 297 249 (5:14.462): 308 251 (5:15.630): 319 253 (5:16.759): 330 254 (5:17.304): 341 255 (5:17.832): 352 256 (5:18.344): 363 257 (5:18.840): 374 Tower of Dreams TIME SIGNATURES 000 (0:00.000): 7/8 BPMS 000 (0:00.000): 88 Turnstile Jumper TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 321 ultra-blazures TIME SIGNATURES 000 (0:00.000): 4/4 154 (4:44.408): 7/8 BPMS 000 (0:00.000): 142 056 (1:34.648): 142 at beat 0 == INTERPOLATES LINEARLY TO == 146.005 at beat 3.958333... * I don't know what's going on here... 057 (1:36.315): 146.005 at beat 0 == INTERPOLATES LINEARLY TO == 150.010 at beat 3.958333... 058 (1:37.936): 150.010 at beat 0 == INTERPOLATES LINEARLY TO == 154.016 at beat 3.958333... 059 (1:39.515): 154.016 at beat 0 == INTERPOLATES LINEARLY TO == 158.021 at beat 3.958333... 060 (1:41.054): 158.021 at beat 0 == INTERPOLATES LINEARLY TO == 162.026 at beat 3.958333... 061 (1:42.553): 162.026 at beat 0 == INTERPOLATES LINEARLY TO == 166.031 at beat 3.958333... 062 (1:44.017): 166.031 at beat 0 == INTERPOLATES LINEARLY TO == 170.037 at beat 3.958333... 063 (1:45.445): 170.037 at beat 0 == INTERPOLATES LINEARLY TO == 174 at beat 3.958333... 129 (3:16.495): 174 at beat 0 == INTERPOLATES LINEARLY TO == 180.258 at beat 3.958333... 130 (3:17.851): 180.258 at beat 0 == INTERPOLATES LINEARLY TO == 186.516 at beat 3.958333... 131 (3:19.159): 186.516 at beat 0 == INTERPOLATES LINEARLY TO == 192.774 at beat 3.958333... 132 (3:20.425): 192.774 at beat 0 == INTERPOLATES LINEARLY TO == 199.033 at beat 3.958333... 133 (3:21.650): 199.033 at beat 0 == INTERPOLATES LINEARLY TO == 205.291 at beat 3.958333... 134 (3:22.837): 205.291 at beat 0 == INTERPOLATES LINEARLY TO == 211.549 at beat 3.958333... 135 (3:23.989): 211.549 at beat 0 == INTERPOLATES LINEARLY TO == 217.807 at beat 3.958333... 136 (3:25.107): 217.807 at beat 0 == INTERPOLATES LINEARLY TO == 224 at beat 3.958333... UMBRA, RADIOLOGOS. TIME SIGNATURES 000 (0:00.000): 4/4 001 (0:01.250): 5/8 002 (0:02.031): 4/4 003 (0:03.281): 7/8 004 (0:04.375): 4/4 005 (0:05.625): 15/32 006 (0:06.211): 15/16 007 (0:07.383): 9/8 008 (0:08.789): 4/4 009 (0:10.039): 5/8 010 (0:10.820): 4/4 011 (0:12.070): 7/8 012 (0:13.164): 4/4 013 (0:14.414): 15/32 014 (0:15.000): 15/16 015 (0:16.172): 13/6 016 (0:18.880): 4/4 038 (0:46.380): 5/8 039 (0:47.161): 4/4 147 (2:52.057): 2/4 148 (2:52.526): 4/4 149 (2:53.463): 3/4 150 (2:54.166): 4/4 151 (2:55.104): 3/4 ... continue to alternate 4/4 and 3/4 ... 168 (3:08.932): 4/4 169 (3:09.870): 3/4 170 (3:10.573): 4/4 173 (3:13.385): 3/4 174 (3:14.088): 4/4 175 (3:15.026): 3/4 176 (3:15.729): 4/4 177 (3:16.666): 5/4 178 (3:17.838): 4/4 184 (4:02.838): 6/4 186 (4:07.836): 4/4 198 (4:16.777): 11/8 230 (4:44.277): 3/4 231 (4:44.746): 11/8 251 (5:01.468): 13/8 252 (5:02.433): 5/8 253 (5:02.804): 11/8 268 (5:15.057): 1/4 269 (5:15.192): 11/8 307 (5:43.198): 15/8 308 (5:44.972): 8/4 BPMS 000 (0:00.000): 192 107 (2:12.161): 200 108 (2:13.361): 208 109 (2:14.515): 216 110 (2:15.626): 224 111 (2:16.698): 232 112 (2:17.732): 240 113 (2:18.732): 248 114 (2:19.700): 256 127 (2:31.888): Decrease by 2 BPM every 16th note, starting at 256 (256 at 127:0, 254 at 127:0.25, 252 at 127:0.5, etc.), until... 130 (2:35.395): ...136 at beat 3, 134 at beat 3.25, 132 at beat 3.5, 130 at beat 3.75 131 (2:37.057): 256 178 (3:17.838): 32 184 (4:02.838): 32 at beat 2 == INTERPOLATES LINEARLY TO == 999 at beat 5.958333... 186 (4:07.836): 322.1 198 (4:16.777): 384 231 (4:44.746): 385 232 (4:45.603): 386 233 (4:46.458): 387 ... continue increasing 1 BPM every measure ... 244 (4:55.719): 398 245 (4:56.548): 399 246 (4:57.375): 400 247 (4:58.200): 404 268 (5:15.057): 442.75 301 (5:39.043): 442.75 == INTERPOLATES LINEARLY TO == 454.306 at beat 5.458333... 302 (5:39.779): 454.306 == INTERPOLATES LINEARLY TO == 465.863 at beat 5.458333... 303 (5:40.496): 465.863 == INTERPOLATES LINEARLY TO == 477.419 at beat 5.458333... 304 (5:41.196): 477.419 == INTERPOLATES LINEARLY TO == 488.975 at beat 5.458333... 305 (5:41.876): 488.975 == INTERPOLATES LINEARLY TO == 500.531 at beat 5.458333... 306 (5:42.546): 500.531 == INTERPOLATES LINEARLY TO == 512 at beat 5.458333... 307 (5:43.198): 512 == INTERPOLATES LINEARLY TO == 100 at beat 7.5 / end of measure UNDERVEIL IS REAL!!! ...AND WE ARE UNDERVEIL!!! (information not accessible) Undiscardable TIME SIGNATURES 000 (0:00.000): 4/4 040 (1:30.676): 3/4 042 (1:32.926): 5/4 135 (3:33.994): 7/4 136 (3:34.570): 6/4 BPMS 000 (0:00.000): 88 022 (1:00.000): 80 023 (1:03.000): 72 at beat 0, 64 at beat 2, 56 at beat 3 024 (1:06.676): 160 087 (2:55.801): 168 * increment: 8 088 (2:57.586): 176 089 (2:59.291): 184 090 (3:00.921): 192 091 (3:02.484): 200 092 (3:03.984): 208 093 (3:05.426): 216 094 (3:06.815): 224 095 (3:08.154): 236 * increment: 12 096 (3:09.425): 248 097 (3:10.635): 260 098 (3:11.789): 272 099 (3:12.892): 284 100 (3:13.948): 296 101 (3:14.962): 308 102 (3:15.936): 320 103 (3:16.873): 336 * increment: 16 104 (3:17.766): 352 105 (3:18.618): 368 106 (3:19.434): 384 107 (3:20.215): 400 108 (3:20.965): 416 109 (3:21.686): 432 110 (3:22.380): 448 111 (3:23.050): 472 * increment: 24 112 (3:23.686): 496 113 (3:24.291): 520 114 (3:24.868): 544 115 (3:25.419): 568 116 (3:25.947): 592 117 (3:26.454): 616 118 (3:26.941): 640 119 (3:27.410): 729 * jump 278 (4:44.694): 120 unforgivable bloodplay TIME SIGNATURES 000 (0:00.000): 7/4 BPMS 000 (0:00.000): 256 Uprooted, marooned. TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 200 variadicgleam TIME SIGNATURES 000 (0:00.000): 4/4 033 (1:23.368): 7/8 034 (1:25.579): 3/4 035 (1:27.474): 4/4 036 (1:30.000): 7/8 038 (1:34.421): 3/4 039 (1:36.316): 4/4 040 (1:38.842): 7/8 041 (1:41.053): 4/4 BPMS 000 (0:00.000): 95 Vigor Lines Yoked TIME SIGNATURES 000 (0:00.000): 3/4 027 (1:00.750): 4/4 028 (1:03.750): 3/4 031 (1:10.500): 2/4 032 (1:12.000): 3/4 BPMS 000 (0:00.000): 80 VIS::CRACKED TIME SIGNATURES 000 (0:00.000): 2/4 001 (0:00.992): 4/4 BPMS 000 (0:00.000): 121 041 (1:20.331): 242 137 (2:55.537): 121 Wake Up TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 205 001 (0:01.171): 195 009 (0:11.017): 205 016 (0:19.212): 210 at beat 3 017 (0:20.376): 215 025 (0:29.306): 220 029 (0:33.670): 225 096 (1:45.136): 235 097 (1:46.158): 240 098 (1:47.158): 245 ...keep increasing by 5 BPM every measure... 125 (2:08.400): 380 126 (2:09.032): 385 127 (2:09.655): 390 at beat 0, 395 at beat 2.1666..., 400 at beat 2.333..., 405 at beat 2.5...; continue increasing every 24th note until 128 (2:10.251): 450 160 (2:27.318): 150 Wavetapper TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 112 We Want To Run TIME SIGNATURES 000 (0:00.000): 4/4 233 (3:56.246): 2/4 234 (3:56.871): 4/4 BPMS 000 (0:00.000): 192 016 (0:20.000): 195 * increase by 3 every measure until... 017 (0:21.231): 198 018 (0:22.443): 201 019 (0:23.637): 204 020 (0:24.813): 207 021 (0:25.973): 210 022 (0:27.116): 213 023 (0:28.242): 216 024 (0:29.354): 219 025 (0:30.449): 222 026 (0:31.531): 225 027 (0:32.597): 228 028 (0:33.650): 231 029 (0:34.689): 234 030 (0:35.714): 237 031 (0:36.727): 240 032 (0:37.727): 243 * ...here 233 (3:56.246): 192 week-in&week+out TIME SIGNATURES 000 (0:00.000): 7/8 BPMS 000 (0:00.000): 120 wing TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 88 XNOR XNOR XNOR TIME SIGNATURES 000 (0:00.000): 4/4 018 (0:30.000): 7/8 042 (1:05.000): 3/4 044 (1:07.500): 2/4 045 (1:08.581): 4/4 075 (2:13.446): 7/16 076 (2:14.392): 5/8 112 (3:23.623): 3/16 113 (3:24.200): 3/4 185 (4:37.420): 3/16 186 (4:37.674): 4/4 258 (5:59.960): 1/4 259 (6:00.246): 13/16 279 (7:26.912): 2/12 280 (7:27.134): 4/4 282 (7:29.110): 3/4 283 (7:29.851): 4/4 284 (7:30.838): 17/16 285 (7:31.888): 5/8 286 (7:32.505): 10/12 287 (7:33.328): 5/4 288 (7:34.562): 4/4 289 (7:35.550): 9/8 290 (7:36.661): 3/4 291 (7:37.402): 19/16 292 (7:38.575): 17/16 293 (7:39.624): 5/8 294 (7:40.241): 14/12 295 (7:41.394): 5/4 296 (7:42.628): 4/4 298 (7:44.604): 3/4 299 (7:45.344): 4/4 300 (7:46.332): 17/16 301 (7:47.381): 5/8 302 (7:47.999): 10/12 303 (7:48.822): 5/4 304 (7:50.056): 4/4 305 (7:51.044): 9/8 306 (7:52.155): 3/4 307 (7:52.896): 19/16 308 (7:54.069): 17/16 309 (7:55.118): 5/8 310 (7:55.735): 16/12 311 (7:57.052): 11/8 312 (7:58.410): 5/8 313 (7:59.927): 4/4 314 (8:00.015): 6/4 315 (8:01.497): 4/4 316 (8:02.484): 6/4 317 (8:03.966): 4/4 318 (8:04.953): 6/4 319 (8:06.435): 4/4 320 (8:07.423): 6/4 321 (8:08.904): 4/4 322 (8:09.892): 6/4 323 (8:11.373): 4/4 324 (8:12.361): 6/4 325 (8:13.842): 4/4 326 (8:14.830): 6/4 327 (8:16.311): 4/4 328 (8:17.299): 6/4 329 (8:18.781): 4/4 330 (8:19.768): 9/8 331 (8:20.879): 4/4 332 (8:21.867): 9/8 333 (8:22.978): 3/4 334 (8:23.719): 19/16 335 (8:24.892): 17/16 336 (8:25.941): 5/8 337 (8:26.558): 16/12 338 (8:27.875): 11/8 339 (8:29.233): 4/4 340 (8:30.221): 9/8 341 (8:31.332): 3/4 342 (8:32.073): 19/16 343 (8:33.246): 17/16 344 (8:34.295): 5/8 345 (8:34.912): 16/12 346 (8:36.229): 11/8 347 (8:37.587): 4/4 348 (8:38.575): 9/8 349 (8:39.686): 3/4 350 (8:40.427): 19/16 351 (8:41.600): 17/16 352 (8:42.649): 5/8 353 (8:43.266): 16/12 354 (8:44.583): 11/8 355 (8:45.941): 4/4 356 (8:46.929): 9/8 357 (8:48.040): 3/4 358 (8:48.781): 19/16 359 (8:49.953): 17/16 360 (8:51.003): 5/8 361 (8:51.620): 16/12 362 (8:52.937): 11/8 363 (8:54.295): 4/4 368 (8:59.233): 11/8 369 (9:00.591): 4/4 370 (9:01.579): 9/8 371 (9:02.690): 3/4 372 (9:03.431): 19/16 373 (9:04.604): 17/16 374 (9:05.653): 5/8 375 (9:06.270): 16/12 376 (9:07.587): 11/8 377 (9:08.945): 4/4 BPMS 000 (0:00.000): 144 044 (1:07.500): 111 076 (2:14.392): 78 113 (3:24.200): 177 186 (4:37.674): 210 259 (6:00.246): 45 280 (7:27.134): 243 Yesterday Is Never Coming Back TIME SIGNATURES 000 (0:00.000): 13/16 BPMS 000 (0:00.000): 39 Zephyrs TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 170 μ TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 190 041 (0:51.789): 185 042 (0:53.087): 180 043 (0:54.420): 175 044 (0:55.792): 170 074 (1:38.144): 160 075 (1:39.644): 150 076 (1:41.244): 140 Ничто TIME SIGNATURES 000 (0:00.000): 4/4 * I know, it sounds like 6/4 at 216 - UNLIMITED STUDIO thought so too BPMS 000 (0:00.000): 144 めめ TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 99 ウオの淵源 TIME SIGNATURES 000 (0:00.000): 5/4 * no, really! the whole thing is based around metric modulation. BPMS 000 (0:00.000): 150 エンジェルのテーマ 次回予告mix (Frums RADIO_BOKKEN mix) TIME SIGNATURES 000 (0:00.000): 4/4 131 (3:29.600): 3/8 134 (3:31.400): 1/8 137 (3:32.000): 3/8 138 (3:32.600): 4/4 BPMS 000 (0:00.000): 150 スター・オブ・ザ・COME ON!! TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 250 チューリングの跡 TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 360 184 (2:02.667): 330 at beat 0, 300 at beat 3 185 (2:03.412): 270 at beat 2 偽物 TIME SIGNATURES 000 (0:00.000): 4/4 056 (2:08.000): 2/4 057 (2:08.800): 5/4 065 (2:24.800): 9/8 072 (2:37.400): 19/16 073 (2:39.300): 9/8 080 (2:50.943): 19/16 081 (2:52.538): 2/4 082 (2:53.204): 6/4 086 (3:01.204): 7/4 090 (3:10.538): 3/4 091 (3:11.538): 6/4 095 (3:19.538): 7/4 099 (3:28.871): 4/4 100 (3:30.135): 5/4 101 (3:31.534): 6/4 105 (3:37.795): 7/4 109 (3:45.099): 3/4 110 (3:45.881): 11/8 114 (3:51.621): 4/4 242 (6:25.221): 1/4 BPMS 000 (0:00.000): 75 024 (1:16.800): 150 075 (2:42.900): 150 | == INTERPOLATES LINEARLY TO == 077 (2:46.280): 170 | == INTERPOLATES LINEARLY TO == 080 (2:50.943): 177.5 | == INTERPOLATES LINEARLY TO == 081 (2:52.538): 180 099 (3:28.871): 180 == INTERPOLATES LINEARLY TO == 200 at beat 3.958333... * only this one is broken! I don't understand 100 (3:30.135): 200 | == INTERPOLATES LINEARLY TO == 101 (3:31.534): 230 114 (3:51.621): 300 226 (5:21.221): 60 欲 TIME SIGNATURES 000 (0:00.000): 4/4 BPMS 000 (0:00.000): 190 049 (1:01.895): 220 052 (1:05.167): 190 067 (1:24.115): 220 at beat 2 069 (1:26.383): 190 076 (1:35.225): 160 at beat 2 077 (1:36.606): 190 117 (2:27.133): 160 at beat 2.125, 130 at beat 2.5, 100 at beat 2.875, 70 at beat 3.25, 40 at beat 3.625 118 (2:29.226): 20 * primes times 10! 119 (2:41.226): 30 120 (2:49.226): 50 121 (2:54.026): 70 122 (2:57.455): 110 123 (2:59.637): 130 124 (3:01.483): 170 125 (3:02.895): 190 126 (3:04.158): 230 127 (3:05.201): 290 128 (3:06.029): 310 129 (3:06.803): 370 130 (3:07.452): 410 131 (3:08.037): 430 132 (3:08.595): 470 133 (3:09.106): 530 134 (3:09.559): 590 135 (3:09.966): 610 136 (3:10.359): 670 137 (3:10.717): 710 138 (3:11.055): 730 139 (3:11.384): 790 140 (3:11.688): 830 141 (3:11.977): 890 142 (3:12.247): 970 143 (3:12.494): 190 激突！グルメレース をまったり楽しく編曲リレー！ (information not accessible)